Current Repertoire

We are always adding new music to our set, so check back often for updates.  If you have questions about our repertoire, would like to request specific music for a performance, or are interested in purchasing an Opportunes arrangement and sheet music, don't hesitate to contact us here!

CLASSICS

Bad (Michael Jackson)
Michael Jackson Medley
Midnight Train to Georgia (Gladys Knight & the Pips)
My Girl (The Temptations)
Up the Ladder to the Roof (The Supremes)
Change in My Life (Rockapella)
Don’t You Worry ‘Bout A Thing (Stevie Wonder)
Moon River [in the style of Frank Ocean] (Mancini/Mercer)

CONTEMPORARY

Greedy (Ariana Grande)
Movement (Hozier)
Pray (Sam Smith)
Sour Candy (Melt)
My Mind (YEBBA)
Havana/Smooth mashup (Camila Cabello/Santana)
FEEL YOU (Brayton Bowman)
If I Go (Ella Eyre)
Heavenly Father (Bon Iver)
Honeymoon Avenue (Ariana Grande)
When We Were On Fire (James Bay)
Haven’t Met You Yet (Michael Bublé)
Gravity (Sara Bareilles)
Sandcastles (Beyoncé)
Searching for a Feeling (Thirdstory)

Click for our DISCOGRAPHY


Critical Acclaim and Praise 

The Harvard Opportunes have crafted a unique work of art with their latest studio album and it’s sonically pleasing, artistic, and vibrant. The group’s imagination is on full display from beginning to end with their fascinating arrangements and nearly effortless singing.

What the Opportunes truly excel at in All Afternoon is their ability to take highly mature arrangements and deliver them with the liveliness and vivacity of a youthful college group.
— Brian Alexander, RARB Review of All Afternoon
The most notable strength of the group is their depth of talent. On The Edge features at least five main arrangers, with excellent contributions by both Sam Linden and Pilar Fitzgerald, and a few soloists have more than one track credit. Their female soloists, especially, showcase a solid roster with strong performances by Leah Reis-Dennis in Mercy On Me, Fitzgerald in I Wish, Sarah Reid in Barton Hollow, and Lilla Cosgrove in Where I Stood. The group also smoothly blends together and brings a ton of energy to the recordings.
— Leigh Holmes Foster, RARB Review of On the Edge
Rare is the collegiate group that actually sounds like it is actually having fun on a studio album. Add in mostly solid, light-handed production that focuses on letting the voices do the work, and you have a winning combination.
— Tom Czerwinski, RARB review of Off the Page.